Jimmy Page

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For the recording of most of Led Zeppelin material from Led Zeppelin's second album onwards, Page used a Gibson Les Paul guitar with Marshall amplification. During the studio sessions for Led Zeppelin, and later for recording the guitar solo in "Stairway to Heaven", he used a Fender Telecaster (a gift from Jeff Beck).[46] He also used a Danelectro 3021, tuned to DADGAD, most notably on live performances of "Kashmir". He usually recorded in studio with a Vox AC30, Fender, and Orange amplification. His use of the Sola Sound Tone Bender Professional MKII fuzzbox ("How Many More Times"), slide guitar ("You Shook Me", "Dancing Days", "In My Time of Dying", "What Is and What Should Never Be"), pedal steel guitar ("Your Time Is Gonna Come", "Babe I'm Gonna Leave You", "Tangerine", "That's the Way" and for effect at the very end of "Over the Hills and Far Away"), and acoustic guitar ("Gallows Pole", "Going To California", "Bron-Yr-Aur", "Bron-Y-Aur Stomp") also demonstrated his versatility and creativity as a composer.

Page is famous for playing his guitar with a violin bow, as on the live versions of the songs "Dazed and Confused" and "How Many More Times". This was a technique he developed during his session days, although he was not the first guitarist to use a bow, since Eddie Phillips of The Creation had done so prior to Page.[12] On MTV's Led Zeppelin Rockumentary, Page said that he obtained the idea of playing the guitar with a bow from David McCallum, Sr. who was also a session musician. Page used his Fender Telecaster and later his Gibson Les Paul for his bow solos.

On a number of Led Zeppelin songs Page experimented with feedback devices and a theremin. He used a Wah-wah pedal, both in the traditional method of rocking the pedal back and forth as done by Jimi Hendrix and Eric Clapton, but also by simply leaving the pedal fully forward to enhance the treble. The latter technique was used on the solos for "Communication Breakdown" and "Whole Lotta Love," while the former was mostly seen in live performances.